Category: Witte Moor / TALKS

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DOCU-SALON #1

Donderdag 14 juni vanaf 19u gaat het Salon weer open in de Witte Moor!

We tonen “The Politics of Rehearsal” van Francis Alÿs en sluiten feestelijk af met een concert van Den Hoed.

19u Deuren & Bar
20u Film
21u – 22u Concert

 

The Politics of Rehearsal

Rethinking the implication of the rehearsal as a comment on modernity, what becomes immediately obvious is the notion that modernity is pornographic. I mean, there’s this sort of representation of something that looks incredibly appealing, incredibly exciting, but even as it displays itself, it’s impossible to appropriate it, it’s like an exercise in mere arousal, not of coupling or encounter. Somehow, the piece is a constant postponement, what it does is to show that what the spectator wants is precisely to maintain this arousal, not really to arrive anywhere but to keep oneself aroused, which is in some way what the stripper seeks to do, and more so in this case, where time has kind of been diluted and extended. (http://www.espectrorojo.com/1/en/20/index.html)

 

Den Hoed

Als groep bestaat ‘Den Hoed’ vijf jaar, maar als vrienden maken Sanne Werkers en Bauke Meersman al meer dan tien jaar samen muziek in diverse bands. Centraal in dit project staat de communicatie tussen twee muzikanten, eerder dan doorgedreven techniek en afgebakende grenzen.  (http://www.myspace.com/denhoed)